MMIWGM2S and Red Dress Day

The hidden crisis of missing and murdered Indigenous women and girls in Canada is both a national tragedy and a national shame. In this ground-breaking new volume, as part of their larger efforts to draw attention to the shockingly high rates of violence against our sisters, Jennifer Brant and D. Memee Lavell-Harvard have pulled together a variety of voices from the academic realms to the grassroots and front-lines to speak on what has been identified by both the Inter-American Commission on Human Rights and the United Nations as a grave violation of the basic human rights of Aboriginal women and girls. Linking colonial practices with genocide, through their exploration of the current statistics, root causes and structural components of the issue, including conversations on policing, media and education, the contributing authors illustrate the resilience, strength, courage, and spirit of Indigenous women and girls as they struggle to survive in a society shaped by racism and sexism, patriarchy and misogyny. This book was created to honour our missing sisters, their families, their lives and their stories, with the hope that it will offer lessons to non-Indigenous allies and supporters so that we can all work together towards a nation that supports and promotes the safety and well-being of all First Nation, Métis and Inuit women and girls.

"An explosive examination of the missing and murdered Indigenous women of Highway 16, and a searing indictment of the society that failed them. For decades, women--overwhelmingly from Indigenous backgrounds--have gone missing or been found murdered along an isolated stretch of highway in northwestern B.C. The highway is called the Highway of Tears by locals, and it has come to symbolize a national crisis. In Highway of Tears, Jessica McDiarmid meticulously explores the effect these tragedies have had on communities in the region, and how systemic racism and indifference towards Indigenous lives have created a culture of "over-policing and under-protection," simultaneously hampering justice while endangering young Indigenous women. Highway of Tears will offer an intimate, first-hand look at the communities along Highway 16 and the families of the victims, as well as examine the historically fraught social and cultural tensions between settler and Indigenous peoples that underlie life in the region. Finally, it will link these cases with others found across Canada--estimated to number over 1,200--contextualizing them within a broader examination of the undervaluing of Indigenous lives in the country and of our ongoing failure to provide justice for the missing and murdered"-- Provided by publisher.

Violence against Indigenous women in Canada is an ongoing crisis, with roots deep in the nation's colonial history. Despite numerous policies and programs developed to address the issue, Indigenous women continue to be targeted for violence at disproportionate rates. What insights can literature contribute where dominant anti-violence initiatives have failed? Centring the voices of contemporary Indigenous women writers, this book argues for the important role that literature and storytelling can play in response to gendered colonial violence. Indigenous communities have been organizing against violence since newcomers first arrived, but the cases of missing and murdered women have only recently garnered broad public attention. Violence Against Indigenous Women joins the conversation by analyzing the socially interventionist work of Indigenous women poets, playwrights, filmmakers, and fiction-writers. Organized as a series of case studies that pair literary interventions with recent sites of activism and policy-critique, the book puts literature in dialogue with anti-violence debate to illuminate new pathways toward action. With the advent of provincial and national inquiries into missing and murdered Indigenous women and girls, a larger public conversation is now underway. Indigenous women's literature is a critical site of knowledge-making and critique. Violence Against Indigenous Women provides a foundation for reading this literature in the context of Indigenous feminist scholarship and activism and the ongoing intellectual history of Indigenous women's resistance.

An account of the author's investigation into violence against Indigenous women in Canada, with a focus on two young women who have been missing since 2008.

In Keetsahnak / Our Murdered and Missing Indigenous Sisters, the tension between personal, political, and public action is brought home starkly as the contributors look at the roots of violence and how it diminishes life for all. Together, they create a model for anti-violence work from an Indigenous perspective. They acknowledge the destruction wrought by colonial violence, and also look at controversial topics such as lateral violence, challenges in working with "tradition," and problematic notions involved in "helping." Through stories of resilience, resistance, and activism, the editors give voice to powerful personal testimony and allow for the creation of knowledge. It's in all of our best interests to take on gender violence as a core resurgence project, a core decolonization project, a core of Indigenous nation building, and as the backbone of any Indigenous mobilization.

Helen Knott, a highly accomplished Indigenous woman, seems to have it all. But in her memoir, she offers a different perspective. In My Own Moccasins is an unflinching account of addiction, intergenerational trauma, and the wounds brought on by sexual violence. It is also the story of sisterhood, the power of ceremony, the love of family, and the possibility of redemption. With gripping moments of withdrawal, times of spiritual awareness, and historical insights going back to the signing of Treaty 8 by her great-great grandfather, Chief Bigfoot, her journey exposes the legacy of colonialism, while reclaiming her spirit. Helen Knott is a Dane Zaa, Nehiyaw, and mixed Euro-descent woman living in Fort St. John, British Columbia. In 2016 Helen was one of sixteen global change makers featured by the Nobel Women's Initiative for being committed to end gender-based violence. Helen was selected as a 2019 RBC Taylor Prize Emerging Author. This is her first book. Eden Robinson is the award-winning author of Monkey Beach, Son of a Trickster, and other novels. She is a member of the Haisla and Heiltsuk First Nations.

If I Go Missing is derived from excerpts of a letter that went viral and was also the basis of a documentary film. In her letter, Jonnie calls out the authorities for neglecting to immediately investigate missing Indigenous people and urges them to "not treat me as the Indigenous person I am proud to be" if she were to be reported missing. Indigenous artist Neal Shannacappo provides the artwork. Through his illustrations, he imagines a situation in which a young Indigenous woman does disappear, portraying the reaction of her community, her friends, the police, and media.

Twelve-year-old Molly was riding her new bicycle on a deserted road when a man in a truck pulled up next to her, saying he was lost. He asked if she could get in and help him back to the highway, and said he could bring her back to her bike after. The next things Molly remembers are dirt, branches, trees, pain, and darkness. Molly is now a spirit. Mustering up some courage, she pieces together her short life for herself and her family while she re-assembles her bicycle--the same one that was found thrown into the trees on the side of the road. Juxtaposed with flashes of news, sounds, and videos, Molly's chilling tale becomes more and more vivid, challenging humanity to not forget her presence and importance.